Posted 17 hours ago

A Review of Atonement

I feel that I cannot do a review of Atonement justice, Ian McEwan’s writing is so sublime that any articulation I can give it necessarily misrepresents this superb book. But I must press forward regardless.

Atonement is quite nearly a perfect book to my tastes; tragic, cynical and ultimately profound and deeply meaningful few other literary masterpieces can match it in capturing me at every level.

Ian’s mastery of language comes through in every sentence and only Jane Austin and—perhaps controversially—G.K. Chesterton. It is crisp, varied and sophisticated without becoming overly verbose and is always in service of the story.

But the accomplishment of style and composition is by no measure the sole attribute to be praised. Rather, it is the characters so vividly painted, unique but never so exceptional that I stopped believing or caring in them and the unfolding tragedy that sets in at the end of the first act that demands my emotional engagement.

Fair warning, while I will not spoil any specifics, reading further will expose tone and generalities of the book.

I think what sets Atonement apart from so many other books is that this is a story about; not quite altruistic, but certainly good natured people with mostly benevolent intentions making mistakes that have dire consequences for each other and the pursuit of Atonement is never fully attainable. We are asked to consider innocence, fancy, self-deception and truth from angles we are rarely forced to examine. As the story commences we loath Briony’s actions while simultaneously sympathizing and admiring her imagination and integrity, just as we feel her sadness as she comes to terms with her crime.

In the end, I believe that Atonement does what few other stories do, it does not opt for the ease of a happy ending, but neither does it leave us with bleak despair. This is not a story of forgiveness; a crime has been committed that cannot be forgotten and while Briony seeks, and finds a measure of atonement it is not cheap, nor is it complete. No, a fairy tale ending is not to be found, it is rather, torn away from us and in this it penetrated my cynicism affected me profoundly.

While I would leave you with that I do want to add one final side note that should not be read if you are not already familiar with the story. Having seen the recent film I was afraid that knowing the end would make the book less evocative for me and I am quite happy to say that while the ending did not leave me stunned on my second experience it was no less meaningful. If you too have also only seen the film then I assure you reading the book will enrich your appreciation further.

Posted 23 hours ago
How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God? There is no one, no entity or higher form that she can appeal to, or be reconciled with, or that can forgive her. There is nothing outside her. In her imagination she has set the limits and the terms. No atonement for God, or novelists, even if they are atheists. It was always an impossible task, and that was precisely the point. The attempt was all.
Ian McEwan - Atonement
Posted 3 days ago

“This letter places you on notice that these statements are false. You have no basis for publishing these false and malicious statements about D & H. These false allegations are defamatory and disparaging to D&H”s business and business relations and have caused grave and irreparable damage to our client.”

At this point, we feel compelled to point out that neither publication “stated” anything, both simply reported what they had been told by their sources, and asked a legitimate question. In public. Which the media does from time to time.

D&H, however,threw its toys out of its pram, demanding that both sites “IMMEDIATELY (i) cease and desist posting such defamatory material about D&H.; (ii) remove the contact and any reference to D&H from your website; and, (iii) post an immediate retraction and apology which shall remain posted for not less than thirty days.”

Er, anything else? Would you like a hug to go with that? Or a journalistic promise never to quote sources or investigate legitimate problems ever again?

Posted 4 days ago

I hope that maybe you might have learned something from my experiences here. I don’t write this to intentionally bash the company, but more to make other artists aware of what their legal rights are and what you can do when a company attempts to do you wrong.

Hopefully you can take something from this and save yourself from a company with bad intentions. I think the biggest part is to get your details of the booking documented and agreed upon in writing by both parties. You also need to be ready to go the entire distance if you want to make it right. I did not think this would actually go to court, but I was prepared for it when it did.

Posted 6 days ago

Do you have any plans to develop Tweetie for the Android platform?
When I can use Android without wincing, sure.

——-

What do you think of this whole Windows Phone 7 Series business? by dowson

I think Microsoft’s got some balls for pushing a UI that isn’t yet-another-Aqua-ripoff. It certainly looks better than the tasteless, slow, undesigned garbage that Google puts out.

——-

Are you willing to trade an advanced copy of Tweetie MAC 2 for sexual favors?

asl? send pics.

Loren Brichter (atebits) | formspring.me

Q&A With Atebits, the developer of Tweetie for the Mac & iPhone.

Posted 6 days ago

the thing with testing is that it’s subjective. all of us carry some baggage into a test because we already know a few numbers going in: we know the theoretical top speed of a SATA2 drive, the number of triangles the GPU can fling or the clock speed of the CPU. a Windows users may bring opinions about using a Macintosh the same way that a Mac user might be shocked (and unbelieving) that the cheaper PC is actually faster and better. the things known however don’t translate into what is really happening.

there is another kind of subjective which is influenced by time of day and where you are. I know from testing colors on displays and printers that what I see at 12PM is very different from what I see at 12AM. our eyes lie to us depending on the kind of light and there is. what looks white in one environment will turn pink in another. it’s all about our brain knowing what white is supposed to look like so it corrects what you are seeing to make it so.

Posted 1 week ago
I was pissed I thot my Internet fail but I found out it was a bug if u ask me this seems like a scam for gamers to run off to buy the slim I say f tht Sony fix my ps3 n credit me $20 for psn store lol
Posted 1 week ago
But an amazing open world with a game in it as good as Assassin’s Creed II doesn’t necessarily need a good story. This gloriously interactive, breathing marvel is leaps and bounds ahead of other videogames, and it’s yet another instance of the geniuses at Ubisoft Montreal schooling the rest of the industry. Until someone else out there can take me to a place as grand as Venice, I shall think of Assassin’s Creed II whenever I hear Arthur C. Clarke’s axiom that any sufficiently awesome videogame is indistinguishable from magic.
Posted 1 week ago

Nowadays we live in a fantasy world that focuses exclusively on one platform, and does so exclusively for reasons of eye candy.

We laughingly disown every single principle the web standards movement has ever stood for in the past ten years in order to swoon and drool over Apple’s iCandy and happily accept the reality distortion field that emanates from it.

The iPhone has become an obsession. If we don’t pay attention, we’ll have a mobile web that only works on the iPhone. And then we’ll have the real mobile web that wasn’t made by us and doesn’t give a shit about web standards and best practices.

Worse, it seems web developers are happy with this state of affairs. It seems web developers are congratulating themselves on excluding 85% of the smartphone users. They certainly never bother to check their sites in S60 WebKit, the largest smartphone browser in the world.

Fucking dimwits.

We’re doing exactly the same as ten years ago. We now say “iPhone” instead of “IE6,” but otherwise nothing’s changed.

No, wait, there’s one more change: the iPhone has far less mobile market share now than IE6 had desktop share back then.

Posted 1 week ago

My advice to effects creators and everybody else: Know your rights. Know what the laws and regulations are. And know the addresses and phone numbers of the agencies that enforce and monitor the laws. (Knowledge is power, and power is — if you decide to use it —leverage.)

Never stop training and learning. Never stop networking. And never stop living below your take-home pay.

Posted 1 week ago
The various previous netbooks had, or met, many of these same conditions of course, yet Apple’s superior user experience, and integrated services, primes it for many many more citizens than any previous form of computer.
Posted 1 week ago

To one [C.S. Lewis] who said that myths were lies and therefore worthless, even though ‘breathed through silver’.

Philomythus to Misomythus

You look at trees and label them just so,
(for trees are ‘trees’, and growing is ‘to grow’);
you walk the earth and tread with solemn pace
one of the many minor globes of Space:
a star’s a star, some matter in a ball
compelled to courses mathematical
amid the regimented, cold, inane,
where destined atoms are each moment slain.

At bidding of a Will, to which we bend
(and must), but only dimly apprehend,
great processes march on, as Time unrolls
from dark beginnings to uncertain goals;
and as on page o’er-written without clue,
with script and limning packed of various hue,
an endless multitude of forms appear,
some grim, some frail, some beautiful, some queer,
each alien, except as kin from one
remote Origo, gnat, man, stone, and sun.
God made the petreous rocks, the arboreal trees,
tellurian earth, and stellar stars, and these
homuncular men, who walk upon the ground
with nerves that tingle touched by light and sound.
The movements of the sea, the wind in boughs,
green grass, the large slow oddity of cows,
thunder and lightning, birds that wheel and cry,
slime crawling up from mud to live and die,
these each are duly registered and print
the brain’s contortions with a separate dint.
Yet trees are not ‘trees’, until so named and seen
and never were so named, tifi those had been
who speech’s involuted breath unfurled,
faint echo and dim picture of the world,
but neither record nor a photograph,
being divination, judgement, and a laugh
response of those that felt astir within
by deep monition movements that were kin
to life and death of trees, of beasts, of stars:
free captives undermining shadowy bars,
digging the foreknown from experience
and panning the vein of spirit out of sense.
Great powers they slowly brought out of themselves
and looking backward they beheld the elves
that wrought on cunning forges in the mind,
and light and dark on secret looms entwined.

He sees no stars who does not see them first
of living silver made that sudden burst
to flame like flowers bencath an ancient song,
whose very echo after-music long
has since pursued. There is no firmament,
only a void, unless a jewelled tent
myth-woven and elf-pattemed; and no earth,
unless the mother’s womb whence all have birth.
The heart of Man is not compound of lies,
but draws some wisdom from the only Wise,
and still recalls him. Though now long estranged,
Man is not wholly lost nor wholly changed.
Dis-graced he may be, yet is not dethroned,
and keeps the rags of lordship once he owned,
his world-dominion by creative act:
not his to worship the great Artefact,
Man, Sub-creator, the refracted light
through whom is splintered from a single White
to many hues, and endlessly combined
in living shapes that move from mind to mind.
Though all the crannies of the world we filled
with Elves and Goblins, though we dared to build
Gods and their houses out of dark and light,
and sowed the seed of dragons, ‘twas our right
(used or misused). The right has not decayed.
We make still by the law in which we’re made.

Yes! ‘wish-fulfilment dreams’ we spin to cheat
our timid hearts and ugly Fact defeat!
Whence came the wish, and whence the power to dream,
or some things fair and others ugly deem?
All wishes are not idle, nor in vain
fulfilment we devise — for pain is pain,
not for itself to be desired, but ill;
or else to strive or to subdue the will
alike were graceless; and of Evil this
alone is deadly certain: Evil is.

Blessed are the timid hearts that evil hate
that quail in its shadow, and yet shut the gate;
that seek no parley, and in guarded room,
though small and bate, upon a clumsy loom
weave tissues gilded by the far-off day
hoped and believed in under Shadow’s sway.

Blessed are the men of Noah’s race that build
their little arks, though frail and poorly filled,
and steer through winds contrary towards a wraith,
a rumour of a harbour guessed by faith.

Blessed are the legend-makers with their rhyme
of things not found within recorded time.
It is not they that have forgot the Night,
or bid us flee to organized delight,
in lotus-isles of economic bliss
forswearing souls to gain a Circe-kiss
(and counterfeit at that, machine-produced,
bogus seduction of the twice-seduced).
Such isles they saw afar, and ones more fair,
and those that hear them yet may yet beware.
They have seen Death and ultimate defeat,
and yet they would not in despair retreat,
but oft to victory have tuned the lyre
and kindled hearts with legendary fire,
illuminating Now and dark Hath-been
with light of suns as yet by no man seen.

I would that I might with the minstrels sing
and stir the unseen with a throbbing string.
I would be with the mariners of the deep
that cut their slender planks on mountains steep
and voyage upon a vague and wandering quest,
for some have passed beyond the fabled West.
I would with the beleaguered fools be told,
that keep an inner fastness where their gold,
impure and scanty, yet they loyally bring
to mint in image blurred of distant king,
or in fantastic banners weave the sheen
heraldic emblems of a lord unseen.

I will not walk with your progressive apes,
erect and sapient. Before them gapes
the dark abyss to which their progress tends
if by God’s mercy progress ever ends,
and does not ceaselessly revolve the same
unfruitful course with changing of a name.
I will not treat your dusty path and flat,
denoting this and that by this and that,
your world immutable wherein no part
the little maker has with maker’s art.
I bow not yet before the Iron Crown,
nor cast my own small golden sceptre down.

In Paradise perchance the eye may stray
from gazing upon everlasting Day
to see the day illumined, and renew
from mirrored truth the likeness of the True.
Then looking on the Blessed Land ‘twill see
that all is as it is, and yet made free:
Salvation changes not, nor yet destroys,
garden nor gardener, children nor their toys.
Evil it will not see, for evil lies
not in God’s picture but in crooked eyes,
not in the source but in malicious choice,
and not in sound but in the tuneless voice.
In Paradise they look no more awry;
and though they make anew, they make no lie.
Be sure they still will make, not being dead,
and poets shall have flames upon their head,
and harps whereon their faultless fingers fall:
there each shall choose for ever from the All.

Posted 1 week ago
In a recently featured article by Gamepro, contributor Leigh Alexander praised Bayonetta for its provocatively empowering gameplay. But the truth is that Bayonetta is about as empowering as being hitched to a plow. According to Alexander, the context is what should be judged when determining appropriateness. With scenes that involve masturbation, nudity, plus an end-credit scroll superimposed over an erotic pole dance performed by the title character herself, I fail to see how this game should be considered empowering in any context.
Posted 1 week ago
Apples iPad, which is soon going to find its way onto the market, has drawn criticism and scorn from many a technorati. But Neil Young, chief executive and co-founder of San Francisco-based mobile gaming startup ngmoco, isnt one of them. Not only does he think that the iPad will make netbooks pointless, he believes it will usher in new opportunities for companies such as his to build new experiences.
Posted 1 week ago
But eager as we are to make progress beyond the industry’s bad habit of reducing female characters to either sidekicks or sex objects, it’s unfair to strip video game women of their sexuality completely, or to assert that if a character is sexual that she must be getting exploited. It’s wonderful that our entertainment medium is developing more characters that bring more to the table than their looks — but at the same time, we can accept that being mousy, tomboyish or turtle-necked is not the only way a woman can be considered admirable. Bayonetta’s elegant nakedness in the fervor of battle is not in and of itself a bad thing.